James McNeill Whistler (1833)
It was on this date, July 11, 1834, that American painter James Abbott McNeill Whistler was born in Lowell, Massachusetts. His father was an Army Major and Whistler himself was educated at West Point, from which he was dismissed. Whistler was a leading proponent of the credo, “art for art’s sake” (the motto, in its Latin iteration, of film studio Metro-Goldwyn-Mayer) and dressed like a dandy, a floppy hat perched atop his head shading a piercing pair of eyes. His famous signature for his paintings was in the shape of a stylized butterfly with a long stinger as a tail. His Arrangement in Grey and Black (1871), better known as Whistler’s Mother, is considered quintessentially American—yet the artist left the United States, never to return, at the age of 21. He bounced between residences in Paris, where he studied art, and London, where achieved his greatest successes.
While in Paris, Whistler became an aggressive Atheist. In London his paintings got a better reception, in spite of harsh criticism from John Ruskin—Ruskin panned Whistler’s Nocturne in Black and Gold: The Falling Rocket (1875) and Whistler sued him and won. Whistler made a name for himself, not simply due to his talent, but also because of his flamboyant personality. The painter-designer and diplomat David Maitland Armstrong says, in his Reminiscences,* that Whistler was notorious for ridiculing the Bible and singing blasphemous songs.
His most significant works, in addition to Whistler’s Mother, include La Mere Gerard (1858), Symphony in White, No. 1: The White Girl (1862), Whistler in his Studio (a self-portrait, 1865), Nocturne: Blue and Gold – Old Battersea Bridge (1872), Arrangement in Gray: Portrait of the Painter (c. 1872), Historian Thomas Carlyle (portrait, 1873), Maud Franklin (a portrait of his mistress, 1876), Harmony in Blue and Gold: The Peacock Room (interior decorative mural art, 1876-1877), Lady Meux (portrait of a socialite, 1882), Théodore Duret (portrait of an art critic, 1884).
Before he died in London at age 69, on 17 July 1903, Whistler was made a member of the French Légion d’Honneur. Whistler was pragmatic and Rationalist about his art, saying:
Art should be independent of all claptrap—should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it, and that is why I insist on calling my works ‘arrangements’ and ‘harmonies’.”**
* David Maitland Armstrong, Day Before Yesterday: Reminiscences of a Varied Life, New York: Charles Scribner's Sons, 1920.
** The General Art of Making Enemies, 1890.
Originally published July 2003 (erroneously set for July 14) by Ronald Bruce Meyer.
The conflict of the Roman Catholic Church against Galileo is an apt illustration of the inescapable irreconcilability of theological doctrine and science. It also shows how bullies destroy benefactors.